
Welcome Previews Exhibitions Visual Arts Booking Information
Friday 22 May Saturday 23 May Sunday 24 May Monday 25 May Tuesday 26 May Wednesday 27 May Thursday 28 May
Friday 29 May Saturday 30 May Sunday 31 May Monday 1 June Tuesday 2 June Wednesday 3 June Thursday 4 June
Friday 5 June Saturday 6 June Sunday 7 June
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Traffic? Trade? Grand Parade!?An alternative discussion of the City's perennial problems, with added spice - the failure of Bog Island bridge and the publication of the Government's Integrated Transport Policy. Bath's traffic-reducing MP Don Foster chairs a high-powered panel, followed with a virtual history show and plenty of space for questions. The Guildhall, Banqueting Room |
Picnic With A PoetBath poet Rachel Laurence, who published her first collection 'The Living Room' earlier this year, invites you to bring a picnic and join her in the Rockery's beautiful gardens. After reading from her work she will lead a discussion on poetry. Bring a nature poem (yours or someone else's) to share with fellow picnickers. The Rockery, North Road, Combe Down (if wet, the
event will be held undercover at The Rockery) [P5] |
Gavin Robertson and Andy Taylor present Fantastic VoyageSee Thu.4 June Ustinov Studio <UST5> |
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Red Shift Theatre Company The Aspern PapersIn an obsessive quest to uncover the lost letters of famous poet, Jeffery Aspern, Henry James finds the poet's former muse living in the back streets of Venice with her plain earnest niece. He will do whatever is necessary to obtain his goal and sets about the ruthless seduction of the unsuspecting virgin. "A tense psychological thriller, this is Merchant Ivory meets Hitchcock". "Red Shift live up to their reputation for stunning literary adaptations." The Independent. The Rondo Theatre 8pm |
| One of the hits of last year's Fringe, Red Shift brought us
the Les Miserables you didn't have to take out a mortgage to see and actually managed to
get some of the story in too: they are renowned for their literary adaptations. This Henry
James story is in the eminently fashionable literary/literate detective/thriller mode and
addresses the question of privacy which has been so debated through issues of press
coverage: How far, in preserving the truth about the famous dead, are we justified in
wounding the feelings of the less-famous living? Red Shift evoke a Venice between the
wars, where real time was almost suspended, people could exist in timeless obscurity, and
there was no such thing as 'public property'. Their evocation is all the more heightened
by using the same production & design team that won them three Fringe Firsts in
Edinburgh and a live+recorded soundtrack reminiscent of a deserted '30s dance hall.
History might forget, but you won't forget this show in a hurry. |
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The SkeetersWalcot Palais |